| Time In Venice October In Venice ~ by Suzy Fischer |
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| We woke up on that perfect Venice October day and went down to a breakfast of bread and coffee as is the Italian custom. We did not know yet that it would be the most perfect of Venice fall days, with the sun still warm, and mostly just the townspeople left to go about their days after this summer's mad rush.
We chose our bread and butter and jam, and even the chocolate that the Italians spread on their bread at breakfast. We ordered our coffee from a stiff backed proper Italian waiter, in his starched white morning uniform. Across from our table, behind your back, I saw an old man who I knew must be the patriarch of the family who had owned this little pensione for 200 years. He was being led to his table, carefully and slowly, by the unsmiling and proper Italian waiter, who had a starched white linen napkin draped across his forearm The old man finally reached his chair, at his table, and the waiter carefully helped him sit. Then, with unsmiling that tender care he snapped open the white linen napkin and tucked it under the old man's chin, being careful to cover every bit of the old man's dapper silk suit and Italian silk tie. |
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The two men nodded barely perceptibly to each other, in unspoken agreement that this morning would be like all other mornings, before and after, and forever to come.
With that, this stiff backed waiter brought the old man his piece of bread, and his coffee, just so. Presently, the old man proceeded to pour spoonful after spoonful of sugar into his cup, so much that I thought surely his cup would overflow. But, of course, having done exactly this on hundreds of mornings before, he knew precisely when to stop. He then picked up his spoon, took a sip of coffee from it, a nodded contentedly to himself, and then he broke off a crest of his bread.
"Look !" I said to Adrian, "You've got to see this.
"Come sit on my side of the table where you can watch".
"What?" you asked. "Just watch", I said the "You'll see. . . "
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The old man then took just enough more sugar from the bowl to make up for the set he had just taken, and dipped the crust of bread into the coffee, and ate it, chewing thoughtfully. "What?" you asked again, impatient to get on with the days sightseeing . "Just watch ... " I said again "This is fantastic, you really have to
see this!".
Again, the old man added yet another spoonful of sugar from the bowl, and drank one more sip from his spoon, and took another piece of his bread, a bit larger it this time, and it tore it into several tiny pieces and dropped them into his cup. Just at that moment, the waiter hurried over to the table and swept away the crumbs
swiftly, with an efficiency that told of the countless other mornings he had done precisely this. The old man then proceeded to eat several slow spoonfuls of coffee soaked bread crumbs, sitting slowly back in his chair each time, savoring every bite.
It was then that I noticed that the waiter had stationed himself in a place near the kitchen door where, in between attending to the few other guests, he was keeping an intense watch out of the corner of his eye at the old man slowly eating his breakfast. Just as the old man ate the last of the bread crumbs from his cup, the
waiter rushed over with another bowl of sugar.
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The old man then added several more spoonfuls of sugar to his cup, so that I thought "Surely by now his spoon should be able to stand up by itself in the cup!". He finally lifted the cup to his lips and took several tiny loud sips, and again and leaned back in his chair to savor the taste.
As by then we saw that he still had at least half of his bread left, and we knew that the waiter would keep bringing more coffee, and more sugar, and even more bread until the old man was finally satisfied with this one of hundreds of breakfasts, we could stand the lure of the beautiful October Venice sun no more, and we left. We turned right, and of the front door facing the waterfront. A few hundred feet down the promenade we crossed over the "Bridge of Sighs", past the Doge's Palace" and turned into the Piazza San Marco. There, glinting in the morning light was the Church of San Marco, a thousand years old, but we did not yet go in. We kept walking, randomly turning down the narrow passages which make up the streets of Venice. |
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Sometimes, we would venture down a street, and it would become narrower and narrower until finally it dead ended at someone's front door. One, I remember, was only about 4 ft. high, and I thought "When this was built, the carpenter must have made the door just the right size for the person who was to live there, as if no one else taller might ever come to occupy this house".
As the light from the warm sun began to slant in a way that lit up everything with a golden warmth, you handed me your smaller camera, and said "This is the light! you should look to see where the light makes something glow, and then you should try to catch it with the camera".
I looked around, not quite sure what you meant until you said "Look! There! See? There it is!" A doorway with a tiny dog sitting in front, the faded color of the plaster glowing in the light. "Click"! went the camera. Then, I started to see the light, at first glowing here or there, in the colors of laundry on the clothesline hanging above the narrow street, next to the flower box in the owner's window.
We came to a small stone bridge, across an even smaller canal, with one brightly painted rowboat tied up beside the crumbling plaster wall. Just then and unseen breeze rippled the water just so, and it's sparkled like jewels, and we both picked up our cameras "Click! Click!" at precisely the same moment, and it was then that I
knew that I could see the light too, and that we both could see the light at the same perfect moment.
As the sun began to slant deeply across the streets, the finally managed to find our way back to the Piazza San Marco. Crowds were milling around, forming small groups, all waiting, but for what?
We stood for a moment, looking up at the church, its facade covered in real gold on millions of tiny square tessarae, tiles no bigger than a thumbnail. Then suddenly a hushed murmuring fell over the throngs gathered in square as the slanting sun positioned itself just so, and at that moment each of the tiny gold tiles lit up in the golden sunlight, flashing and glittering as if lit up from within.
We ran from place to place, both of us trying to catch the glittering light. "Click, click, click!", but there is some light that just cannot be caught. You just have to be there and see it yourself, or, if you are very, very lucky, with someone else who can see it too.
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There are places still where people drink wine and eat ice cream every day at 4. Places where an old man can eat two bowls full of sugar every day if he pleases, and he will be tenderly indulged. Where people build beautiful things that they know they will never live to see finished, but they build anyway, because somehow they understand that a thousand years later, hushed crowds will still gather every evening just to see the light for a brief flashing moment as the sun sets.
To Contact Suzy Click Here
blog...cause I have tons of stuff scattered about, and I've never compiled it before (I didn't think anyone wanted to read it %^).
Let me know if you want me to try to unearth any more - and d'ya like the pretty stuff, or the *snarky* stuff (as in "Dogging Bourdain")?
If'n you can stand the snark, i have some stuff which has more than a few nasty bits. Sincy Bourdain's most recent book was called "The Nasty Bits", he and I have had a kind of online one-upsmanship writing battle going on at Ruhlman.com , a site mainly occupied by other chefs and the weird people who love them...
Anyone who is familiar with Anthony Bourdain knows that he fancies himself a disciple of Dr.Gonzo/Kerouac/Kesey, and his online stuff is filthier than even his published work - and it's side-splttingly funny - at least to me. If the dirty talk won't offend you, I'll be happy to upload some more of "Buncha Chefs Talkin' Smack" ...
Hi Suzy,
Loved your story. I LOVE Italy. Espresso, red wine, pasta and all of it. I spend a vacation in 2005 at an organic farm in a fisherman's village where no tourists go, in Tuscany. It was fantastic.
..the link on my profile -- both under "Italy" as well as in the bigger files.
Just my luck; my hard drive on my 12 yr old laptop finally died last week, and I am on a brand new 'puter! I left my deceased hard drive at the store in the hopes hat they will be able to access my data. I have CD back ups, but (of course) they're not catalogued.
The writing was done just after 9/11, and I had saved my correspondence w. "Adrian" on a desk top CPU which kicked the bucket a couple of years ago. It never occured to me that a) I would ever want to "publish" any of it, and b) That anyone else would be interested in it (besides Adrian -- and he's not responding to my email pleas %^P)...
Silly me! Just like a grrrl to "burn the love letters", and then regret it later.
Adrian did come to Esalen with me twice during our 18mos. together, but we somehow got shuffled out of Mary Goldenson's relationship workshop on the first try, and then we were offered a discounted substitution date. When we arrived, the room in the Big House which was supposed to have been ours was double booked, so they gave us that round stone house by the old baths all to ourselves for 5 days! It was heaven - I don't think we ever even made it to a meal.
Then we came back and did the first joint Mary/Steven Harper workshop, and there are several photos from that stay on my photo album link..
BTW: If'n any of you guys sees Mary Goldenson, please give her a BIG hug and tell her that Suzy AND Randy BOTH say "Hi!" from the houseboat in Alameda...That'll surprise her (or maybe not %^D
Maybe I come visit you on your houseboat in Alameda soon. I also once got really lucky at Esalen. Last year for 4th of July they were completely booked but there was a cancellation just when I asked for the third time if there were a chance to stay. They gave me the Murphy room in the Big House all by myself and I also hardly left it because it was so spectacular.
Best, Monika
Hey, I thought you looked familiar... I will say hi to Mary for you. Great to hear your music.
http://pictures.aol.com/galleries/suzypfisch
Ooops - I just messed up my profile trying to fix this link.
I'm still trying to learn my way around in here. It's a little confusing unless one is fluent in Esalen-speak -- and I'm a little rusty...
%^D







You guys READ this stuff? Cool...